A dark fairy tale in a modern Polish setting. A grandmother cares for an ailing dragon… but her compassion puts her own grandchildren in danger.
Just released: the next installment in the Dark Folklore short story series. Within Trembling Caverns is a standalone short story (or novelette, if you’re feeling fancy) inspired by the Polish legend of the Wawel Dragon. Set on the outskirts of modern Krakow, an elderly woman named Truda feels a sense of duty to look after a cave-bound dragon near her home. But when misfortune strikes and she can no longer feed the beast, her own family are at risk of becoming meals for her starving, scaly ward…
Within Trembling Caverns is available from all the most popular eBook retailers, and a few more besides. Grab it from your favourite store below:
Just over a week ago I asked y’all to give me your opinions on some draft book covers for The Jack Hansard Series – and your response was fantastic! Thank you for all of your messages on the blog, Facebook, Twitter, and Wattpad – we’ve been weighing up your comments and have come to our final decision…
Support was almost evenly split between options 1 and 3, with just a few shout-outs for option 2 – clearly the majority of you prefer a splash of colour! The lack of a clear favourite made our decision all the harder, but I’m proud to announce that we’ve firmly agreed on… cover 1!
‘Intrigue’ is the word that kept cropping up in your comments about this design and we heartily agree: it has the atmosphere of those mysterious, underhand dealings that define Jack Hansard. I’m a little bit sore to leave cover 3 behind (I can’t overstate how much I loved all of the options Dom presented me with) but who knows – future poster material, perhaps?
What happens now?
Dom’s job is to evolve this concept into the final polished cover, and mine is give the series a final edit to make it perfect for publication. Watch this space – we’ll keep you updated as we go.
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Firstly: thank you for your amazing support! It means a lot that you’ve stuck with me (and Jack) throughout this weird journey. I’ve just recently finished editing Season 1, and so have turned my sights to self-publishing.
Joining me on this venture is artist Dominique Lane. She’s well overdue for a formal introduction (I’ve her to thank for the kick-ass landing page of this website) so I’ll be sure to set up a little ‘Meet the Artist’ feature next.
The focus of today’s post is a little more practical, and involves audience participation!
Dom’s been working hard on book cover concepts, and we’ve narrowed it down to three which I’d like to show you today. The following images are all drafts – we can expect the final product to look somewhat different with more colour and cleaner lines – but they represent the designs we are considering. And we’d love to know what YOU think of them! Take a look:
Which one do you prefer? Can you tell us why?
This is your chance to affect the final product. I’m not just asking because I can’t decide (although honestly, I really can’t; they’re all way better than I even hoped for!)
We really do value your input – because after all, this cover is for you. So it ought to be something that you like 😉
Now that Season 1 of Jack Hansard is complete, this seems like a good time to take a step back and reflect on the lessons I’ve learned over the past year and a bit. I’ve made plenty of mistakes, and the beautiful thing about mistakes is that they cause you to evaluate the way you work and the way you write. And, crucially, they make you figure out how to do it better next time.
So I present to you the mistakes I made and the lessons I learned from them. Although Jack Hansard is only a free series I publish for fun, these same lessons are applicable to all kinds of serial or episodic writing. Whether you’re publishing webcomics, writing weekly articles for an online magazine, maintaining a daily blog, serialising your novel or working on a short story series, I hope you find some useful pointers here.
Give yourself enough time to write.
I gave myself two weeks to write each Jack Hansard episode. It was just enough time to fit in around my job. I know there are writers out there who seem to be able to churn out a thousand words a day on top of working 40 hours a week, but I’m not one of them. And that’s okay. The important thing is to know your limits, and my limit is one Jack Hansard episode – or about 4000 words – per fortnight. Any more than your limit, and you run the risk of burning out.
You should also consider the quality of your work. Two weeks is the minimum I needed to write an episode, with full proof read and some minimal editing before it was published. And no matter how hard I tried, it was never, ever perfect. Because of course it’s not. For a perfect short story, ideally you want to leave it a few days, and then come back and re-do the whole shebang. The question is how important ‘perfect’ is to you.
At first, I was okay with imperfect – Hansard’s journey was intended as more of a training exercise from my perspective, a challenge to write consistently and meet deadlines. But as the story and characters grew, I grew endlessly attached to them and wanted to do them greater justice. I have made countless edits to the Jack Hansard stories – cleaning up the little niggles, polishing here and there – but it still frustrates me that I can’t pull it all down and piece it back together so that’s it becomes even better. If I were to rewind, I would give myself at least a month to write each episode, and I’d spend more time working out how they all intertwined in the wider scheme of things.
So before you set off on your episodic journey, before you publish anything and set the clock ticking, take some time to work out how long each episode, article, or strip will take you to produce – and make peace with the schedule you set yourself, because later on you’re gunna have a lot of fights with that bastard.
Once you’ve worked out your time-table, stick to it.
I’m quite proud that I met my fortnightly deadline most of the time, even if it did result in a few episodes I wished I’d spent more time on. It proved to me that I really could work under pressure and still produce something of a decent quality.
I found my biggest set-backs came when I took some time off. Now, sometimes this is very necessary – in my case there was a funeral to attend, there was a massive adventure in Belgium, and there was Christmas reserved for friends and family. There’s no reason not to take these times off – if anything, I’d recommend that you build a holiday into your timetable so that you don’t burn out during periods you know you’ll be too busy to fully commit. But where I went wrong was in not setting a proper ‘return-to-work’ date. Particularly after Christmas, this was a deep holiday hole I fell down where a long stint away from writing the series left me very complacent and lacking enthusiasm.
My key advice would be to keep your holidays short. And just because you’re having time away from the series, doesn’t mean you should have time away from writing altogether. Try using the time to pursue other projects, or enjoy writing just for the sake of it – anything to keep your eye in.
And how can you make your brief holidays easier on both yourself and your readers?
Get started before you start.
Before I launched An Inspired Mess and Jack Hansard, I’d already written the first two episodes to give myself a head start. And, even more cunningly, I’d written two future stories (which became Episodes 11 and 16, both sparking their own sub-plots lasting several very fun installments).
These future episodes were there to give me breathing space, to cover my ass if I couldn’t finish the time-tabled episode in time, in case a family emergency came up, and to provide content during my planned ‘holiday’ in the middle of the series.
All very good in theory. My mistake: I didn’t use my breathing space. I should have kept at least one episode ahead, but I didn’t. If I had, there wouldn’t have been month-long gaps in the summer and winter where nothing was uploaded.
So make sure you have several stories or articles written before you publish the first one, and save one or two for those unexpected gaps that will undoubtedly crop up.
On the subject of planning . . .
Other people might say ‘make plans’, but I say that’s up to you. Best-laid plans work for some, and the advantages of knowing the plot in advance are obvious. But I’m someone who prefers to plan off the cuff – I’ve the rough plot for the next three episodes, and a vague sense of the overarching story, but I don’t want to be hemmed in by details. The brilliant thing about a short story series is that some very unexpected details can unfold if you just go with the flow and allow the series to take a different direction from time to time.
But if you don’t write plans, write notes. These are those unfolding details that might become very important later. So you just introduced a side-character who you whimsically gave a sense of humour that revolves entirely around fish puns . . . five stories later a joke about a haddock might end up the turning point of the whole plot. Or perhaps it’s the colour of his eyes? Her eyes? Damn, where did our main character meet this person again?
Going over these little details can also help you in times of Writer’s Block, as well as in tightening your overarching storyline. If you’d forgotten that one particular character loved fish puns, reading over the notes could spark that very turning point in the plot.
I was a lousy note-taker, and I wish I’d created a binder full of them for easy reference. Instead I found myself leafing through the hand-written drafts and scanning the published episodes for references to personality quirks and physical descriptions I couldn’t quite recall. In particular, the way Ang speaks – I was constantly referring to the Coblyn’s previous dialogue to refresh my memory. Character profiles: wish I’d bothered.
If your episodic writing is more non-fiction based, I would still suggest keeping notes of the subjects you’ve covered. Say you blog about a different 80s glam metal album cover each week – you probably want to keep a record of what you’ve featured so far, and a list of your favourite words for describing fabulous hair.
And finally . . .
Remember to believe in yourself, and the fact that your work isn’t as terrible as you sometimes think it is. Show it to your friends and family and believe them when they tell you they like it. If they don’t – take on board their advice, it’ll only make you stronger. And it’ll make them more invested in helping you; they’ll care aboutyour work when you show that you care about their opinion.
I wouldn’t have got this far without my fiancé nagging me in the background. Even though my genre isn’t really his cup of tea, he’s dutifully proof read and mercilessly criticised all of the Jack Hansard series for me (and half of these blog posts, too). He gave me the push (shove) I needed to get that final episode done when I was suffering from prolonged Christmas/New Year’s/Springtime/GotANewJob blues (read: excuses).
So find someone, or a group of someones, who you can rely on to give you that extra little push when you’ve lost your mojo, and remember that a bit of tough love and self-discipline will get you further than you expect.
If you have any tips of your own I’d love to hear them – just leave a comment below. Take care y’all.
The Jack Hansard Series is now up to Episode 18, and I’m feeling like a proud mother in the weeks leading up to graduation. Better yet, I feel like the student who knows their long slog of essays and deadlines is finally drawing to an end. Bit of relief, bit of pride, a bit of last minute nerves and anticipation.
There are just two more installments to go this year: Episode 20 in December will bring to a close what I’ve affectionately come to call Season 1. When I started writing in January, I didn’t know if I’d get this far. I’ve been testing myself the whole way, daring myself to fail and let not just myself down, but all those who’ve helped to push me, encourage me along.
I know I’ve not got much of an audience – I’m not kidding myself with illusions of grandeur here – but I hope that what audience I do have is enjoying what I have to offer. Ultimately, that’s what really concerns me: not how wide my readership is, but whether I can entertain and amuse you in the same tradition of countless authors who have brought bursts of colour to my life. I want to pass the parcel on; the best thing is seeing the smile on the person who gets to unwrap the next layer. The worst thing is seeing them disappointed by the shitty plastic whistle inside.
So, small and silent as you are, I don’t want to disappoint you with some shitty ending (I can at least promise it won’t be a plastic whistle). I hope you’ve been enjoying the ride as much as me, and I’ll try and make our shared finale as explosively colourful as possible.
Moved into new house: Check.
Switched utility suppliers: Check.
Found new internet provider: Check.
Castrated unhelpful TalkTalk employees: Check.
Finally uploaded Episode 13 of the Hansard Series: Freakin’ CHECK!
I know it’s taken a long time, but it’s finally here. That was a ridiculous cliffhanger to be left on, wasn’t it? Everyone’s stranded in the Nether, Ang’s dying, Hansard and Jo are in mortal peril, something BIG is about to happen . . . sorry for the wait. The upside is that because Episode 13 was sitting on my laptop for so long, I’ve been tinkering with it for ages and it just kept growing – so it’s a good 2000 words longer than a normal episode. And it’s a fairly tasty installment: we get the first real insight to part of Hansard’s past; we finally find out what happened to Ang; and could it be that Baines and Grayle are involved somehow?
Furthermore, to help make up for the month-long silence, I’ve got some extra doo-dads to show you on the blog, including some bonus short stories and an interview with an author-friend of mine.
For anyone who may have been expecting Episode 13 of the Jack Hansard Series to go up today, I’ve got bad news for you. The next update is going to be delayed until I have access to internet at my new house. Happily, the house move itself was successful (yay!). Sadly, the internet switch was lost to the bowels of some bureaucratic hell within the offices of TalkTalk (boo!). May those responsible be accosted by the fluffiest of nightmares.
This frustrated update coming to you from my very nice friends who are allowing me an evening to do such boring things as pay my bills, check my emails, and most importantly, change my internet provider. Should be set up by the end of the month. See y’all again soon!
P.S. To make up for the lack of Hansard, here’s a sneak-peak from artist Dom Lane. This is the WIP of the title image fro Epsiode 1. (I’ve seen the finished image. It looks EPIC.)